pocket full of stars

Twitter

2010-02-06T22:15:00.000-08:00

Today I was walking down Victoria Street and I passed a Chinese restaurant that smelled like cat piss. A few steps later some incense wafting into the street from a massage parlor warmly smothered the cat piss.

It was a humid day today, which seems to make everything unbearable. Usually I like the combination of cat piss and incense, but the humidity ruined it.

I have a song by the Beastie Boys stuck in my head called The Brouhaha. I signed up to Twitter.

Fin.

Album Review - Pig Out - Rave X

2010-02-06T22:00:00.000-08:00

Words by Amanda Ratcliffe

Since forming in 2006, Christchurch’s very own, Pig Out have performed a number of shows all around the world. Sydney, LA, New York…they’ve done it all. They have even headlined the Midi Festival on the French Riviera and played a four-hour non-stop set in Berlin…but by far their most intriguing show to date has got to be performing at a rave held in a container ship in the Barcelona Harbor. How amazing do these kids sound? And they’ve managed all this in the space of just four years.

With all the touring and what not, it’s hard to imagine that there would be time to sit down and record, but that’s where you’re wrong, my friends. You might be familiar with a mini album named Club Poems that was released in 2008 – of which received a huge amount of recognition and top ratings from some of our country’s most loved and respected music reviewers. And then there is the team’s latest concoction that goes under the name Rave X.

To be honest with you, I couldn’t pick a better-suited name for such an album, filled with new and sophisticated sounds from the hot act that now reside in Auckland. These guys sure know how to cook up a storm and first track on the album to prove it is appropriately titled Wicked. Top Boy – which you will have already heard on indie stations scattered around the country follows featuring a few vocals, which sound a little on the English side...Sometimes this bugs me, but with this team, not so much.

It’s not until the third track on the disc that you’ll be forced to get off your lazy ass (if you haven’t already) and dance off a few pounds. It’s fast-paced and will give you a clear understanding on the reason why these guys are so popular at all of those fancy clubs. Get your glow sticks out, coz’ this is gonna’ be madness! From here on in, I would strongly advise you to keep your dancing shoes on, because you’ll most likely become one of those ravers covered in fluro paint / singlets and whatever else comes in neon these days.

I’m sweating just imagining what these guys are like live – especially after another strategically titled tune – Genius. Are you loving the names of these songs as much as me right now? This is certainly one to be turned up to maximum volume - with the heavy bass blaring. And, hey – no need to worry about the neighboring houses on this balmy school night…I’m sure if noise control turned up they’d end up joining your house party instead, so just go ahead and enjoy, yeah?

Electronic treat, Anthem is an absolute must to anyone in need of a quick pick me up, coz’ you’ll be back on your feet in no time. Can I suggest this as your early morning workout song of choice? Maybe after that party we were just talking about? Big Mouth is stunningly futuristic and reminds me of times spent playing on my cousin’s bright red Casio keyboard. It is the nineteen eighties, right? What ever it is, and where ever we are, Rave X is def. one to be checked out before you check out...

Written for Muzic.net

Pocket Full Of Favorite Photos From Parachute

2010-02-03T10:00:00.000-08:00

Photographs by Amanda Ratcliffe

Ruby Frost

Family Force 5

Leeland

Rapture Ruckus

Switchfoot

Underoath

Pocket Full Of Performances at Parachute 2010

2010-02-02T09:27:00.000-08:00

Words by Amanda Ratcliffe

Over the past twenty years, Parachute’s audience has grown from 12 hundred to 24 thousand eager Christian music supporters, and from the looks of things, there’s certainly no slowing down. Fans from all over – including Australia, headed out to Mystery Creek in Hamilton this weekend, and I was lucky enough to be part of it on the stifling hot Saturday.

Now, when you’re part of the media, you get treated to all kinds of things that aren’t part of the norm when it comes to these kinds of festivals. One of the things that was most enjoyable was sitting in on the press conferences through the morning to learn more about the main acts set to hit the stages in the evening.

Reporters from all around Australasia crammed into a rather balmy space to find out just what makes these bands tick, and first to tell us were rockers, all the way from San Diego – Switchfoot. They started out in 1996, so of course by now these guys are pretty well-known and are played quite regularly on The Rock radio station right here in New Zealand.

These guys are surprisingly down to earth and like the rest of the musicians interviewed, are true believers of their faith. The lads stick by their families and know that without such understanding from them, there is no way that they would be doing what they’re doing with their careers.

While they admit that being away and touring for months on end is tough, the reward of coming home and being able to spend three months at a time with their families is something that is deeply valued and rewarding.

If you remember my words from last year’s event you’ll recall a little crush that I have come to form over Atlanta’s very own Family Force 5. It started with a fondness for their look, which very quickly turned into a love of their incredible crunk rock tunes and outstanding on stage performance. The lads are extremely tight – and I don’t just mean as an act, but also in the ‘family’ sense.

Having just come back from ‘shearing sheep down the road’, the guys got into a wee discussion about their loves in life - their wives, their children, music and naturally, God – all of which work in harmony to make them who they are.

Youngsters, Leeland have received an amazing amount of much deserved praise over the past few years. They’re incredibly down-to-earth and when asked what they would be doing if it weren’t for music, they respond that they would easily fit back into the lives they led before in their hometowns. It’s not about fame, but singing about what they truly believe in that is most important.

For this attitude and their talent it’s pretty obvious how they have come to where they are in the world. These guys are popular in their own right and were an absolute pleasure to watch later on in the day.

Wellington based Rapture Ruckus formed about nine years ago now, and since then has released three popular records and supported hundreds of acts throughout Europe, Africa, North America and Asia. Front-man Brad Dring is clearly the star of the show and always puts on an effortless, but stunning live performance.

This year’s show at Parachute was no different as Dring raced around the stage jumping onto speakers and (strategically placed) metal tables. Clearly loving every moment of it, it was just delightful to see him watching the crowd get into it, and in turn playing off that energy. The band will be heading of to the States next, and are unsure of when they’ll be back.

Worship based musicians Leeland were next to take the Palladium stage, and after seeing these guys earlier, it was an absolute must to see what they’re all about in the musical sense. Although I don’t know a lot about this genre, these guys are not only beautiful to listen to, but also to watch. Mooring’s vocals are to die for and remind me a lot of the wonderful, David Kelley.

Mind you, it wasn’t just his performance that stood out, but also his brother, Jack on the keyboards who was really feelin’ it – right through to his fingertips. Not at all focused on the audience’s reaction he just got in there and went for gold. Eyes closed, hands in the air. Gorgeous.

After a bit of a sit down, it was time for teen favorites, Kingston who always manage to get the crowd pumping. To be honest, I thought that they would have pulled a larger crowd this year, but that wasn’t the case. Still, it was a treat watching the extremely cute Dan Gibson motor around the stage and into the crowd whilst performing a bunch of radio and television favorites.

Dying to see what Vince Harder was all about (minus P Money) it was time to check him out on the main stage…and oh, what a surprise I got watching him and his crew and their neatly choreographed skills. Wouldn’t have a clue what the tunes were, but I guess in some ways it was entertaining to see what looked a lot like the rainbows end musicians on stage. Not my cup of tea. Sorry Vince.

A quick trip to the Deluxe stage meant catching Trigger Theory’s set for a few songs. I wasn’t that impressed with their music last year, but this time round it was cute! The lads spoke about Aladdin and how they remembered it before jumping into a tune that was for ‘everyone who liked Aladdin, but liked The Lion King better’. A cover of I Just Can’t Wait to be King, was the one. Cute! Ladies and gentlemen, we have a winner!

The fantastical Family Force 5 were next to grace the main stage, and from the moment the American Football clad lads hit the stage the crowd went mental. Taking photographs in the pit up the front, you’d think you’d be safe from it all. But this year that was definitely not the case and I managed to get smacked in the back of my head a few times, along with getting stood on. What the?!

These guys are well worth the injuries though, and seeing them up so close, performing with such energy is an amazing experience. Belting out all of their hits off their first album, Business up Front, Party in the Back and Dance or Die, these guys put on a truly unforgettable show full of heavy baselines and all that good stuff that they’re so well known for. There’s only one word for this performance, and that’s epic.

Switchfoot had a hard act to follow, which of course they did with all of the grace and charm that had been demonstrated earlier in the day. The guys are naturals when it comes to wooing the crowd - even with their heavier tunes, and they make it pretty clear that they’re having the time of their lives while on stage.

A bunch of glow sticks had been handed out to the crowd, which looked incredible in the night sky. And what looked even more incredible was when the lads walked off stage and got yelled at for an encore performance. Glow sticks got hurled forward at the stage creating quite the scene, before they came back to finish with radio hit, Stars.

After all that excitement it was time to finish up the day with a band who I’ve been meaning to check out for some time now – Needles & Bees. After a wee trek to the White Elephant, we arrived to see only a handful of tunes by the band that included a wonderful surprise – Roy Irwin, who I’d also been hoping to see live at some stage. A double treat!

The White Elephant is a low-lit intimate space, which was so lovely after such a massive day just to sit and listen to the pop-inspired tunes from the locals. The last song we got to enjoy was Irwin’s Jackson 5 cover – I Want You Back. From this tiny snippet, I can’t say I know what Needles & Bees are like, but I’m glad to have caught what I did!

And so comes the end of another Saturday spent at the Parachute music festival. Escaped the sunburn brilliantly, and most importantly – escaped the rain that came down on the Sunday. Apparently most people go along for the full event to camp out. Sucks to be them.

Album Review Sons of Apollo - The Landing

2010-02-01T09:00:00.000-08:00

Words by Amanda Ratcliffe

2008 saw the final bits of the puzzle come together to create Hamilton based rock group, Sons of Apollo. The search to form such a band began earlier in the decade when Belgian born, Bart Brichau moved to New Zealand to pursue a life long dream - which was to write and record his debut album. Several years after, locals Andrew Rowson and Matt Paterson joined Brichau in his quest, and were later followed by Sandy Schaare and finally, Greg Prebble.

Each of the members had previous experience from other bands they had been involved in, and so they brought with them older songs that they’d worked on in the past. Naturally this moved onto songwriting sessions where the lads came together to create new material under the name Sons of Apollo.

They’ve enjoyed opening for favorite locals, Opshop in the past and take inspiration from bands such as Genesis, Queen and Muse - to name a few. So it becomes obvious that these guys are keen to be up there amongst the big guns. There’s no doubt that they’ll get there with a debut album like The Landing, which is proving to be quite the hit overseas already.

The first track on the disc titled Green opens with an experimental feel that is light hearted before becoming a rockier number. It’s not hard on your ears at all, and reminds me so much of some of the tunes that feature on the soundtrack from the movie, Rock Star.

Flickers of Genesis can be found in the beginning of Supersonic Slowness, which again is a very easy listen – while still managing to break many of the boundaries that so many Hamilton acts are afraid to even get close to. It’s nice to finally see a group who isn’t afraid to do something that they truly love, and believe in without the fear of being unique.

Although most will tell you that they are striving to be so, that result is very rarely the case, making this album a refreshing treat. Brichau does a brilliant job of drawing you in with his magical skills on the keyboard while Matt Paterson’s vocals will woo even the coldest of hearts with Fading Soul.

Sick of Waiting takes on a similar feel before rolling into the pop-rock inspired Set u Free to get you up onto your feet for a jive as Easy Road feels like a jam session on a Sunday afternoon. Or one of those tunes that you might hear in the wee early hours in a smoke-filled bar – not that you can even get those anymore, but you know what I mean…it’s a classic. Like The Eagles. The entire album is, and is definitely a product that Hamilton can be proud of.

Visit Sons of Apollo on Myspace

2010 Big Day Out Special

2010-01-23T11:55:00.000-08:00

Words by Amanda Ratcliffe

45 thousand music lovers from all over New Zealand crammed into Mount Smart Stadium last Friday for what I reckon was one of the most impressive BDO’s it has ever seen – it’s true! Read on...

Over the past few months, there’s been a huge amount of interest surrounding Auckland’s very own Pop Strangers. The three-piece have come a long way in the time that they’ve been together, so I shouldn’t really have been surprised that they were amongst the kids sporting the Local Produce stage this year. Catching them at 11 was easier than I thought as we sat in the already beating sun to see what the lads had on offer. To be honest, I wasn’t that moved by the performance, as they really just got on with the job. Probably the most memorable moment was watching front man, Joel Flyger climbing up the railing at the side of the stage, but even that wasn’t mind-blowingly awesome. In saying all that though, I’d really like to see these guys perform at a more intimate venue where they are comfortable enough to let loose with their obvious potential. For a first go at a major event, I spose they did all right.

Catching the end of Deja Voodoo was pretty funny for two reasons. One: Because I knew all the words to the songs they were belting out, and Two: Because I enjoy watching bogans getting into it, and there were plenty to be found, hanging out yelling along to hits like Jack The Ripper and Punisher which features on their latest album, The Shape of Grunge to Come. From where I was standing I couldn’t really see a lot, but the crowd provided plenty of entertainment, so I wasn’t too fussed. Other clear favorites they finished up with were P, Can’t Do What (I Wanna’ Do), Beers and crowd pleaser every time, Feelings. Dirty dirty boys.

Next door on the Blue Stage, Davenport boys, The Checks began their set keeping the crowd reasonably tame until they got into radio hit, What You Heard. That resulted in a mass of pushing and shoving, and to be honest with you, I got pretty brassed off. Yip – brassed off. I was willing to get in a fistfight with a bunch of kids pushing their way to the front. But instead I managed to fuck them up by quietly kicking the shit out of them until they moved their fluro covered asses. With that out of the way, it was time to get in there and enjoy what the lads had to offer. We were treated to Isabella, Get Off The Stage Man, Take Me There, and personal favorite – Ballroom Baby off their superb album, Alice By The Moon. The last year they performed at BDO I was disappointed with their lack of energy and enthusiasm that they’re so well known for, but there was none of that this time round. They were pure rock n’ roll and are well up there on my list of favorites for the day.

After hearing all about Passion Pit on George FM, it was an absolute necessity to head on over to hear their sweet sweet tunes. Of course the Green Stage area was packed out, so hanging on the other side seemed like a pretty good option. From what I did manage to see, these guys looked fabulous, and really got the crowd going with songs like The Reeling and To Kingdom Come off their debut album, Manners. They were a sweet treat and a lovely surprise, as I can’t say I know many of their songs. Yet. As if that wasn’t enough, the people of the Pit were wonderful – there’s no way I would have had to get my kick on with that lot.

The Horrors were gracing the signing tent this year, and seeing that I wasn’t able to see them at the same time as Kasabian, I went on over to have a look at the lads up close. MmmMmm...Now, I do try to be a nice person most times, but there are moments when the bitch in me comes out, so if you don’t like the thought of that you may as well head on to the next paragraph now…But for all of you assholes out there, picture this: Two fifteen-year-old girls sitting at the foot of the platform waiting for the lads. Crying. Overwhelmed at the thought that they were moments away from meeting their idols(?). They finally get to have their stuff signed, and they both just stood there crying. To The Horrors. One of them nearly fainted as she was dragged out of the way. Half an hour later – still crying. What the hell? I bet they feel like absolute dicks now, and good job – so they should. The guys didn’t seem too bothered by it though as they politely greeted all the other kids who had most likely been lining up for hours. I’m so gutted that I couldn’t see them on stage. I bet they were amazing.

After a bit of pottering around, I caught the end of Midnight Youth down at one of the main stages, and as always, they were fabulous as they effortlessly belted out their tunes off The Brave Don’t Run. Jeremy Redmore sure knows how to sing - proving it with perfect versions of The Letter, and a particular favorite, Benjamin. Watching Scott Oscroft was also quite the treat as he smiled and chuckled his way through the last of the fifty-minute set – obviously having a brilliant time. Finishing up with All On Our Own, it was wicked to hear the crowd singing along and really getting into it.

UK rockers, Kasabian were next to grace the Blue Stage, and as they strutted out, it was made very clear that these guys expect nothing but the best from their audiences. In turn you get one hell of a show filled with energy and professionalism making all the other acts so far feel miniscule. To my absolute delight, Vlad The Impaler kick-started a set dripping with confidence and power as Meighan glided around like he owned the place. He definitely owned the crowd with his charisma as he got everyone clapping and singing to Underdog off the lads’ latest album, West Ryder Pauper Lunatic Asylum. Naturally, Shoot The Runner was a massive hit along with Empire, but what really gained my attention was song-writer, Sergio Pizzorno and his stunning vocals scattered throughout the set which was an unexpected treat for all. Fast Fuse was just that, and again proved how tight this act is. Ending an epic performance with Clubfoot was brilliant – these guys are as solid as they get, and I’d love to see them in their own concert one day.

After a quick hello to Dizzee Rascal (not really, but I did see his happy little face as he was seated at the signing tent), it was time to jive to the popular Pip Brown, AKA, Ladyhawke. Again I only caught the end of this one – which makes me sound like a real lazy ass, but it was enough to hear the hits off her debut album like Paris Is Burning and Magic. Yay! She looked and sounded fabulous and drew in a huge crowd – hence the reason I only saw her last few songs. I imagine if she plays BDO in a couple of years time, that blonde cutie will be on one of the main stages making us kiwis proud.

On the stage next door, The Veils began their beautiful show with Not Yet off their popular album, Nux Vomica, which was followed by The Letter. Front-man Finn Andrews wooed the crowd with his unique and emotional vocals that are so loved by fans all over. As the sun finally started to go down, the gorgeous four-piece got into Jesus For The Jugular which was a clear hit with the audience who were now swaying in the afternoon sun. Sadly it was time to find a spot in amongst it for headliner, Dizzee Rascal, and after beating our way through the crowds, we settled for a spot in the stadium. Not my first choice, but pretty much the only choice that came without getting trampled on.

The minute he came on stage though, those thoughts went out the window and were replaced with delight as he cheerfully ran around the stage. The crowd looked incredible bouncing up and down with hands and arms in the air praising the genius before them. The Rascal got the entire stadium from the front to the back pumping with tunes off Tounge N’ Cheek like Road Rage and Dance Wiv Me, before getting into some older hits. I can’t applaud this guy enough for the raw energy that comes with a set like this, and I can say without a doubt that this was the highlight of the event for me. Definitely one of the most memorable shows I’ve experienced at BDO over the years, and that’s a lot. The last couple of songs for the one-hour set were Holiday and Bonkers – making the sea of heads go absolutely mental. To be honest, I was really grateful that I wasn’t amongst it because I imagine that there would have been a few bruises in the making with that performance.

Ms. Lily Allen was next on the bill who looked stunning in her handsome pink (most likely Chanel) dress and signature high-heels. Clearly the cameramen thought she looked pretty damn hot too - taking shot after shot of her figure for the crowd to enjoy as she opened with Everyone’s At It and LDN. This gal is pure talent and has a fabulous way with connecting with the audience, and as she sung 22 it was pretty obvious that she’s the real deal. No wonder so many girlies have a crush on her (including myself). This grew even more as she performed the Kaiser Chiefs’ Oh My God. Brilliant. Following on with Smile and The Fear she had the crowd singing along, before hitting another cover – Brittney Spears’, Womanizer. The most outstanding moments came with her radio hit, Fuck You which started out with a little speech about the song being dedicated to ‘whoever you want’, before pointing to a man in the crowd and saying, ‘You sir. Fuck you.’ Chuckling her way through whilst flipping the bird, it was awesome to see her having fun with it. What a diamond...

The last act of the day on the Blue Stage was the super stars that are Muse. I’ve seen them a few times now, but this show definitely topped the others with incredible graphics laid out over three massive screens behind them. Usually I’d stick to the front, but with a light show that they’re so well known for, I settled for the back to feel the full effect and goddamn, it was worth it! Playing tunes off their last couple of albums like Uprising and Super Massive Black Hole was a perfect way to get into the legendary tight set that the band are so admired for. Team that up with a laser / light show, and you’ve got yourself one epic set that will not be forgotten in a hurry, that’s for sure. Starlight had the whole crowd clapping – right to the back, giving me goose bumps from all the excitement! Lucky I didn’t cry about it like those stupid girls earlier in the day. Pah! Ending their amazing performance with Knights Of Cydonia and Plug In Baby, these guys proved that the only way for them is up. Imagine what they’ll be doing in the years to come with technology the way it’s headed?

With all that to try and process, it was high time for a cup of tea and a lie down after the biggest day out. Ever. 2010 is definitely going to be a hard act to follow. Can’t wait!

Written for Muzic.net.nz

Picture Of The Day

2010-01-13T01:24:00.000-08:00

Nothing fancy.

Images by Amanda Ratcliffe.

Just for fun.

10 January 2010

9 January 2010

8 January 2010

7 January 2010

6 January 2010

5 January 2010

4 January 2010

Picture Of The Day

2010-01-13T01:00:00.000-08:00

Nothing fancy.

Images by Amanda Ratcliffe.

Just for fun.

3 January 2010

2 January 2010

1 January 2010

Album Review - Aum - Altheia

2010-01-08T18:10:00.001-08:00

Words and images by Amanda Ratcliffe

Popular up and coming producers, Jeremy Graham and Daryl Turner have been involved with the local music scene for the past few years now, gaining quite the following along the way.

Originally starting out playing the guitar and bass in a band together, after a year, the pair went on to create Hamilton’s most intriguing electronic act, Aum. They’ve performed alongside the likes of Optimus Gryme, as well as the much-admired lads, Knights of the Dub Table, and are looking forward to more live shows in 2010 with the release of their debut album titled, Aletheia.

After a radio interview with the masterminds behind it, it’s obvious that the featured tunes on this album are well thought out and have been delicately put together to craft an experience like no other.

Introducing themselves with Deep Freeze and Dark Turns, the duo create a surreal feast for the senses - precisely mixed with just the right amount of bass to keep the ambient glow that these guys are so well known for. A personal favorite is Analog Squid, which was inspired by the ‘Colossal Squid’ living at Te Papa in Wellington.

With that in mind, while listening to this track, it’s easy to imagine that oversized jelly-like creature living in the sea - hovering and scooping up everything in it’s path with it’s giant tentacles…creepy.

A lighter side to the album is Chinese Wisdom, which features the skills from Xiyao Chen of Red Dynasty plucking a Gu-Zeng – a traditional Chinese instrument that will be recognized straight away. This is a beautiful tune that has been on the play list at the university radio station since the beginning of 2009 due to its local popularity.

Heavy Armour takes on a new life, which is bold with an almost robotic feel, while Waste-age starts out fresh and graceful before hitting some dirty deeper notes to remind us that these guys mean serious business.

The bonus track on the disc titled I Used To See Pleasure is an ‘Aum-step remix’ which provides a snippet of what the duo are working on at present. This is another striking track, which features Brendon Putt of Knights of the Dub Table on the Trumpet. Aletheia is a solid debut from a band that is definitely going places.

Visit Aum on Myspace

Pocket Full Of Professors

2010-01-07T18:55:00.000-08:00

Goodbye 2009 + Hello 2010!

2010-01-02T18:00:00.000-08:00

A lot of people start off a new year by sharing their plans and goals for the months to come. And although I have shared these with some of you already, what I’d really like to do is send out a huge thank you from the bottom of my heart…to absolutely everyone who has made any kind of effort to make my 2009 what it was.

It was an interesting one to say the least, and when I look back I can’t quite believe just how much was crammed into it. Like everyone, I definitely had my share of some stink times, but it’s people like you who have got me through – just by believing in me, lending an ear, offering help or asking for help.

Having people ask for help has got to be one of the world’s biggest flatteries in my books, so thank you to any one who has done so over the year! You make me believe in myself, which is something that everybody needs at some stage or another. I doubt that I would be where I am today without that belief, which is with sincerest gratitude to you.

I’ve made some amazing new friends over the year that I cannot wait to learn more about in the year to come. Some are funny, some are serious but one thing they all have in common is that genuine goodness that sadly, is a rarity in this world. I guess this ‘game’ would not be as fun if we didn’t have to filter out the idiots though…

Luckily I’ve done a fair bit of filtering over in the past, and have found the true gems who have been around for years and years – my friends and family who have put up with all of my mental ideas and tiredfaces from too many late nights. For being available when I need them, listening to some of my ‘crazy shit’, and dancing your asses off with me, thank you.

It would be awesome if I could name all of the people who have made any kind of impact on my 2009, but I think it would probably take me the whole of 2010 just to get through. Instead I want you all to know that if you’ve ever been in contact with me – even just once – there is absolutely no doubt in the world that you have made me the person I am today.

And because I consider myself to be pretty neat (most of the time), I can only but say thank you to all of you from the bottom of my heart. I hope that the months to come are filled with the happiness and love that you deserve and I can’t wait to play some more this year!

Love you all, Amanda xo

Youtube

2009-12-22T17:48:00.000-08:00

Wow!

I'm on it. Here.

Top Five Tracks of 2009 on Sounzgood.co.nz

2009-12-22T17:39:00.000-08:00

And so comes the end of another stunning year, and I must say I am pretty damn happy with what’s been achieved not only by myself, but also by our talented musicians right here in New Zealand.

When the lovely Mr Hicks asked if I could contribute to this section with my top 5 tunes of 2009, I was feeling a little worried to be honest. There have been so many brilliant songs to float my boat this year making it a very tough choice indeed.

I could quite easily make this a top 100, but that would most likely take me till the middle of 2010, so here’s a snippet of tracks (in alphabetical order) that I consider to be the best of the best.

The Checks - Ballroom Baby

When I first laid ears on The Checks’ latest album, Alice by the Moon, I was a wee bit disappointed. I expected the same rock n’ roll attitude that came out of their debut released in 2007. But it seems that the lads have grown up to produce a blues inspired album, and after a few listens I began to understand what they were trying to get across. Although all the tracks are brilliant through my eyes (now), Ballroom Baby is the standout. It’s incredibly delicate with front man Ed Knowles exploring higher notes that were previously undiscovered in Hunting Whales.

F In Math - Attacked By A Squirrel On Crack

F In Math is a one-man band consisting of ex-bassist from the Mint Chicks, Michael Logie. I remember coming across Electrolysis a couple of years ago on one of those ‘Awesome Feeling’ discs that come with Real Groove magazine, and being pretty well impressed. He visited the Tron in October and gave us a taste of what he’s been working on, and I must say this guy is most entertaining. His sings through a vocorder making his tunes animated – as if Attacked By A Squirrel On Crack wasn’t fun enough already! It’s filled with fabulously amusing lyrics that you just have to sample for yourself.

Knives At Noon - Violins And Violence

These guys have been working non-stop all year, and their latest music, which will grace their forthcoming album, is proof. I’d be surprised if you aren’t aware that I’m quite the fan of this four-piece, and have been following them for some time now. This past year has been quite the journey for these guys with videos on the tele along with an array of tours with the likes of sweet-hearts, Charlie ASH and The Checks. Violins And Violence is full of the joy and happiness that makes up this band and will have you up and dancing in no time at all.

Milk Train – Downtown

Falling in love with Milk Train was damn easy. I first experienced them in all their glory in an ex-sex shop in Hamilton and couldn’t quite believe my eays (that’s ears and eyes mashed together). Not only does this band make fabulous music – think The Mars Volta and Wolfmother, but they are also amazing performers on stage. Front-man Toma Cullen gets his groove on effortlessly while belting out vocals filled with emotion and passion, while the other lads get down and dirty with their blues-inspired style. Their version of Downtown features on Youtube, and is absolutely stunning. Check it.

The Naked And Famous - All Of This

They’re sporting two new fellas, and their music of late is beginning to show their influence. The latest track to be released, All Of This is proving to be quite the hit on local airwaves, which is exciting news after following these kids since their first EP in 2008. The tune is good solid pop with only a hint of that indie sound I’m so used to - which I’m hoping sticks around for their new stuff in the year to come. Their videos are always interesting, and All Of This is no exception with beautiful close-ups of each member. They’re all so gorgeous; you’ll be left wishing you could squeeze them through the screen.

Visit sounzgood.co.nz

The End X2

2009-12-19T17:33:00.000-08:00

This week has seen the end of two things that I have come to love over the past few years. The first is the life of what I consider to be one of Hamilton’s most talented acts, The Lookie Loo’s.

I still remember the first time I saw them perform down at The Yellow Submarine - full of smiles and charm, and over the years, they have stayed the same. Ever appreciative of their friends, family and fans who have devoted their time to enjoy their tunes – whether that be at gigs or by purchasing their CD’s.

Their last show in Hamilton was the 17^th December, and the lads certainly went all out in making it one of the most memorable gigs that Flow has seen. The lighting set-up alone was most impressive, but get the guys in there, and you’ve got yourself one heck of a final show. This one will def. go down as one of my most loved shows at Flow and I’m so glad to have had the pleasure in experiencing it, and the music over their life-time.

So a huge thanks to the lads for making the Hamilton music scene one that we can be truly proud of – and I wish you all the best of luck for your futures! I can’t wait to see what you’ve all got up your sleeves in the years to come...

My second goodbye comes as a shock and is one that is difficult to come to grips with. The very talented, creative and most of all, passionate man behind Royal Falcon, Daniel Pilkington, passed away this week.

This is news that deeply saddens me and I am so sorry for his family and friends who will be suffering such heartache. I’m sure anyone who has come to know Daniel will join me in this sorrow and send well wishes and condolences to his family and friends for such a tragic loss.

Right up to his last day, he was planning and organizing for his and the band’s future, and had huge plans for 2010. I hope with all my heart that he was happy and suffered no pain or sadness in his final hours.

R.I.P Daniel Pilkington (1980 - 2009)

Collapsing Cities In Pictures

2009-12-05T17:24:00.000-08:00

Photograph by Amanda Ratcliffe

Taken in Auckland on 28 November 2009

If you read my first post on my blog, you will know that I am quite the fan of Collapsing Cities. So of course I jumped at the chance to photograph the lads for a fabulous magazine in the UK titled XOX. Stay tuned for more details on that magazine in the future...

The Trons In Pictures

2009-12-02T17:14:00.000-08:00

Photographs by Amanda Ratcliffe

Taken at The Meteor Theatre - 2 December 2009

The first time I saw these robotic characters play was mid 2008 down at Flow surrounded by a variety of different faces that I hadn’t yet discovered. I don’t know where they all came from and I have no idea where they’ve all gone…

A lot can change in a year, but one thing’s for sure – The Trons have kept entertaining the folk since they came into being, and last week I was lucky enough to enjoy them in action once again at The Meteor theatre.

A special thanks goes out to ‘DaddyTron’, Greg Locke - the mastermind behind these guys, for sticking around and letting me poke my camera at his babies. I’m looking forward to seeing what comes of 2010!

The Veils In Pictures

2009-12-01T17:03:00.000-08:00

Photographs by Amanda Ratcliffe

Taken at The Altitude - 19 November 2009

Visit my profile on Flickr for more photographs

The Earlybirds In Pictures

2009-11-14T21:41:00.000-08:00

Photographs by Amanda Ratcliffe

Taken at Agora Cafe' - 14 November 2009

Album Review - Decortica - A New Aesthetic

2009-11-07T15:45:00.000-08:00

Words by Amanda Ratcliffe

They’re certainly not just ‘another Auckland three piece’ and members - Antoinette Lee, Mathew and Daniel Bosher are out to prove it with their debut album titled A New Aesthetic. These modern day rockers are all about breaking the boundaries and bringing something original to the table while keeping the audience intrigued and ready for more action.

It can’t be an easy mission, being that there are a bunch of rock bands coming out of the big smoke, but they’re doing it, and from what I hear, they’re doing it damn well. Currently the group is working on a line of successful gigs whilst writing new tunes for yet another album - which will hopefully be recorded by the master behind this one David Holmes.

He’s worked with the likes of Gramsci and Jakob so this was most likely an easy choice for the band, who ended up recording the tracks in Raglan. Together they’ve created works so clean and sophisticated that it’s difficult to remember that this is Decortica’s first and only release to date. It’s tight and punchy, which is obviously the reason they’ve stolen the rock scene this year.

First tracks on this album, Macchina and Featherlight are hard and heavy with hints of US superstars, Soundgarden while front man, Matthew Bosher shows off his incredibly powerful vocals. It sounds to me like someone has taken some major influence from Incubus’ Brandon Boyd – which for some can be a complete disaster, but is something that Bosher has easily mastered.

Peace May Come featured on various music channels around the country like C4, Juice and ALT TV making this song a memorable one on the album that really showcases the bands diversity. It’s ultra fresh and gives a good first impression of what they have to offer as a hard rock act. In saying that, it’s not all rock n’ roll and the fifth song on this album – L is proof.

Being that it’s a Sunday morning as I sit and write this review, I can say in all honesty that I’m most impressed with this track. It’s a slow acoustic and an easy-listen for a head that’s still a little cloudy from the night before. Mente is an instrumental of similar taste so obviously today this is also a winner in my books. Think System Of A Down on a quiet day and you’ve got it in one.

Two heavier tracks that the band is known for follow – The Grid and Duality which boast that rawness that most can only dream of. The entire album has that feel, which the band agrees comes from the environment of the town in which they recorded. “Climate changes, serenity quickly turning into a violent, wild weather system.” - A statement that pretty much sums up the whole disc.

Written for Amplifier

EP Review – Ashes Of August – Truth You Know EP

2009-11-06T21:37:00.000-08:00

Words by Amanda Ratcliffe

A lot can go by in fifteen minutes and it’s sad to think how many times we’ve all wished away those moments before the end of an unfavorable day, event or what ever. But you can rest assured that Ashes Of August’s 2008 EP release, Truth You Know EP will be time well spent. In fact, in a way it will leave you thankful for all you have come to know, offering a reminder that life truly can be wonderful.

The disc features four folk-inspired tracks performed by brother / sister duo, Tim and Holly Beals, who at the time resided in Wellington. In an interview with NZ Musician magazine, Tim reveals, "I chose to record the EP onto analogue tapes for a couple of reasons. I wanted the beautiful, warm aesthetic of the medium in the recordings, and I wanted to record the songs in single 'takes' to capture the essence of our live show.”

An absolute success, this release is inviting and one that any lover of fine folk music will enjoy effortlessly. To Be With You is stunningly fresh and reeks of past experiences and memories that undoubtedly most people can connect with. The duo sing in smooth harmonies so clean, it’s almost innocent. But listening to the lyrics is like un-covering a gold mine of precious recollections filled with droplets of pain.

Master Saboteur and Truth You Know are wondrous, continuing the path of track one. "In terms of my creative process, the music usually comes first. To me, writing a song is like meeting a stranger - you get to know what it's about as you spend time with it. I like to have the music 'reveal' its message to me, which is good because I end up writing about things I'd normally never be able to admit…” states Mr Beal who is has recently re-located to Vancouver.

The final tune on the disc, titled Cave has a familiar feel to it and like the others will have you easily captivated in seconds. It’s the first time we hear Tim’s solo at the beginning, which provides a truly intimate vibe - making you feel as though you’ve snuck in a peek at something you shouldn’t be really looking at. As a whole the pair have created something delicate, meaningful and worth every minute of your time.

Written for Amplifier

Album Review - Vorn – Vorn’s Modern Classics

2009-11-06T21:34:00.000-08:00

Words By Amanda Ratcliffe

There’s something rather intriguing about the front man behind this album – and strangely, I don’t feel this way because of the music, but more for the stories I’ve read. Vorn Colgan came into our world in 1977 and from the sounds of things he’s led his life in a simple yet complicated kind of way.

How that makes sense, I’m not entirely sure, but if you consider his past - which for a short while consisted of busking and sleeping in a tent, followed by residing in a hole under the stairs of an Aro Valley flat, it all becomes a little clearer. To put it plainly, the front man behind this album is a hobo.

For most, this congers up all sorts of un-desirable images, but take a listen to Vorn’s Modern Classics, and you’ll wonder what the hell I’m on about. It’s charming, refreshing and screams New Zealand, which is something I’ve always appreciated in kiwi musicians – keepin’ it rural and all that.

Lonely is the first song to feature on the twelve-track disc, which gives a good notion of what the rest of the CD is about. Including an array of instruments from trumpets through to violins, it’s hard to imagine how these guys have managed to keep the album from becoming over crowded with sounds.

No doubt it was quite the task arranging these tunes, but they’re all so fluffy and effortless that it never comes through in the music. That Night On Courtenay Place is a shining example of what I mean. If you want something international to compare it to, my choice is Glasow lads, The Fratellis.

Teamed up with the Colgan’s eerie guitar plucking, I Wanna Rock leads you down an unexplored road filled with creepiness including the lyrics ‘Sweetness you know I don’t want to hurt you, but I will if I have to’. It’s a disturbing change to the others, and for that reason it’s one of my favorites.

In saying that, there are a few in there that provide the same feel through painful lyrics. The music behind Upper Hutt Symphony is crammed with love and happiness until Colgan sings cheerfully, ‘…And the hold up was you / Nailed beneath the wheels of the three thirty to Upper Hutt’. Yuckface.

Now, I usually find one song amongst them that doesn’t quite fit, and in this case it’s Small Words - which sounds like a fair bit of influence has been taken from The Streets. Being quite the fan of those controversial UK-sters, I love it, but like I said – doesn’t quite fit in with the rest.

The last tune on this release is Shining Light, which is upbeat and brings you back to the same feel from the beginning. That famous guitar plucking is a feature throughout which is lovely, but I can’t help but wonder if some of the harmonies thrown in are taking the piss?

My guess is that this album certainly wasn’t made to be taken seriously. It’s a delightful listen with some stories thrown in that I hope to God aren’t real life occurrences. Either way, they’ve done a bloody good job in filling my day with sunshine, so thanks guys, keep it up!

Written for Amplifier

Knives At Noon On Sounzgood.co.nz

2009-11-06T20:59:00.000-08:00

Words and image by Amanda Ratcliffe

These four fun-loving lads from Dunedin are quick to admit that they try not to take their lives too seriously - but this fresh approach is certainly not continued on when it comes to their music, that’s for sure.

Having released two EP’s since starting out in 2007, and performing with the likes of HLAH, The Tutts, Clap Clap Riot and Luger Boa, things are certainly starting to heat up for the guys who describe their music as ‘doom pop’.

There’s no stopping them now - and as predicted, 2009 has definitely been their year. Following on from their second EP release tour earlier in the year, July saw the colorful video for Daisy Chain all over C4 TV.

Naturally this gained the band plenty of recognition from fans and musicians alike setting the ground for another nation-wide tour in August with electro-popsters, Charlie ASH.

This was quickly followed up with a string of shows opening for popular lads, The Checks – all while organizing recording sessions for their third EP set to be released in early 2010.

After reading a recent article in NO Magazine, it’s pretty obvious that they’ve worked damn hard to get where they are today – a surprising nine months of the group’s life was spent with each member living in different cities!

For most, this would break a band, but for Knives At Noon it seems almost effortless. Tracks were sent electronically in order to create new songs, which has clearly given them a huge amount of strength in communication.

With so much under their belts and such obvious ambition, it’s hard to imagine the band will be in New Zealand by the end of 2010 - so if you haven’t already check them out before they go in search of international stardom.

Download tracks off their latest EP from www.muzic.net.nz

A Month In Pictures

2009-11-06T20:44:00.001-08:00

Pocket Full Of Awards

2009-10-09T12:00:00.000-07:00

The NZVMA’s were on last night at the Vector Arena in Auckland, and for the first time ever, I had the pleasure in attending them.It’s really quite the delight to be surrounded by such talent, and to watch these peeps get the awards they deserve is even better still.

Some of the performers on the night were Midnight Youth, Fat Freddy’s Drop, Ladyhawke and The Mint Chicks - who closed the evening with a wicked cover of Ray Columbus And The Invadors’, Shes’ A Mod.

There were a few presenters who pissed me off something chronic, but the one to take my dickhead of the evening award was Lucy Lawless. Prancing around the stage making out that she’s hotter than she actually is…Man I would have liked to have punched her in the face with that kind of behavior.

Then she started jumping around like one of the chicks off Hi-5. Way to make me embarrassed to be from the same country as you, fuck face! Thank goodness for Aussie lads – The Living End who got up on stage to announce some winners – least I wasn’t left cringing for too long…

Cut Off Your Hands are up there in my list of favourite NZ bands, so I’m pretty gutted that they didn’t pick up album of the year. To be honest, there were a few awards there that left me feeling a bit sad, but all in all a good night out. I’m sooo going next year. Maybe I’ll get to punch that Lawless bitch in the face after all…?

Winners on the night are as follows:

Vodafone Single of the Year
Ladyhawke – My Delerium

Steinlager Pure Best Group
Midnight Youth

Vodafone People’s Choice Award

Smashproof

Mazda Best Female Solo Artist
Ladyhawke

Pacific Blue Breakthrough Artist of the Year
Ladyhawke

C4 Best Music Video
Chris Graham – Brother (Smashproof)

PPNZ Best Rock Album
Midnight Youth – The Brave Don’t Run

42Below Best Urban/Hip Hop Album
Ladi 6 – Time Is Not Much

Kiwi FM Best Aotearoa Roots Album
Fat Freddy’s Drop – Dr Boondigga and the Big BW

Best Dance/Electronica Album
Ladyhawke – Ladyhawke

Best Gospel/Christian Album
Mumsdollar - Ruins

Best Classical Album
David Bremner – Gung Ho

Highest Selling NZ Single
Smashproof feat. Gin - Brother

Highest Selling NZ Album
The feelers – The Best: 1998-2008

NZ on Air Radio Airplay Record of the Year
Tiki Taane – Always On My Mind

International Achievement
Ladyhawke
Brooke Fraser

Gig Review - Girl Gets A Black Eye From The Checks...Show

2009-10-07T17:46:00.000-07:00

Words and images by Amanda Ratcliffe
Written for NZ Musician

Since forming in 2002, Auckland rockers The Checks have opened for some of the most admired and well known acts to grace the globe today like Oasis, The Hives and Muse – and that’s only picking out a few of an extremely impressive list of top dogs. They’ve strutted their stuff on numerous stages around the world, won the hearts of many a young lady and gained their fair share of international recognition along the way – all while keeping well grounded and obviously thankful of their local followers.

To show such appreciation, they’re touring their way around the country with energetic four piece, Bang! Bang! Eche! who have been assisting kids in getting their dancing shoes on since 07. Friday night was Flow Bar’s go at hosting what turned out to be one of the messiest gigs I’ve seen down there in a long time…a much needed treat and proof that the Tron actually can turn it out on the odd occasion. Thank fuck.

Young talent from Christchurch, Bang! Bang! Eche! were quick to get the growing crowd alive with a half hour set filled with smiles and cuteness courtesy of front man, Zach Doney. Most of the performance was spent jumping around the stage like it was the first time he’d done it, which was most infectious. The only time I noticed any lack of energy was over a couple of the last songs of their otherwise vibrant show, 4 To The Floor and Fist Full Of Dollars - in saying that, it was damn hot down there so I don’t blame him!

Always a keen favorite, The Lookie Loo’s brought with them a bunch of new tunes to be gracing their debut album due out in the next couple of weeks. I’ve never seen them perform anything but brilliantly and this time round was no exception, providing precious pop loving ears with plenty to smile about. Like always, Tim Steers was ever so thankful for the crowd participation as they treated us to an old favorite Picking Up Sticks off their EP, Timing Is Everything.

Only half the crowd went in search of fresh air in-between acts while the rest battled up front for prime position for the stars of the evening, The Checks. It was then that I felt most thankful for my spot by the speaker knowing that I would have something to hang onto for what was promising to be a memorable crowd to say the least. The bar was quick to fill up again as the lads were gearing up for a set packed full of old favorites and newbie’s off their second album, Alice By The Moon.

Opening with There Is A Field, they got everyone singing along before the extreme sports began with Get Off The Stage Man. Ironically, this is when a surge came at a bunch up the front who ended up getting pushed onto the platform. By the third time, one of the girls involved got so pissed off that she decided to take her place on the side of the stage bringing some others with her. After that, much to the delight of everyone there, front man Ed Knowles exclaimed, ‘Woah! We’re definitely coming back to Hamilton’. That guy knows how to make friends...

Radio hit, What You Heard received more cheering, and I know it’s a gross word to use, but the audience was heaving as the lads went for it. I think the only thing that I was disappointed with was that the area they had wasn’t big enough for the rockers to break lose with their antics. In saying that though, Knowles did occasionally bust out his signature moves making the crowd jump up and down for more.

You And Me and Till The Dance Is Over had people singing along which was really cool and showed that they’ve obviously got the album, and like it enough to come along. Either that, or they’re just little fan boys and girls. It’s possible…one of the funniest things I heard after the show was ‘Oh my god! I touched his arm!’. Shame. I must admit though, I am quite the fan of how thankful the lads are for the crowds they draw in, and the fact that it doesn’t matter how many times they’ve played a song, they still do it with passion.

Proving my point, Hunting Whales and Take Me There were definite high lights, show casing a huge amount of professionalism and energy for the people. Of course it went down well. So much so that one girl ended up getting elbowed in the eye. Imagine that? A black eye from The Checks’ gig?! As she ran off crying, the boys finished up their impressive act with Let Your Lover Know and Terribly Easy making me look forward to their performance at BDO 2010 already. These guys are fabulous.

Pocket Full Of Stars

2009-10-07T17:03:00.000-07:00

One of New Zealand’s most genius bands, Collapsing Cities has a song titled Elixir Always which just so happens to be the name of their debut album released in 2007. That was the first CD I wrote a review for, so not only does it hold a special place in my heart, it is also just a damn good album with lyrics to match.

A line from Elixir Always that I absolutely love goes - ‘Got a pocket full of stars (Gonna’ give them to all my friends)’...

And now you can see where the title of my blog has come from. It's dedicated to all things New Zealand music and the people behind it.

Most of my posts will be either gig / album reviews, but I have been known to write just for the sake of writing. By no means am I going to give that up, so you'll just have to grin and bear it. If you're not so keen on the idea of reading, I'll also be posting photographs for your viewing pleasure. Coz' let's face it, a world without photographic treats is hardly a world worth living in.